Most employees have already sat through a POSH session. Far fewer remember what was said in it a month later, and in a lot of workplaces the people who need it most were never in the room. A POSH awareness nukkad natak addresses that specific problem. It puts real workplace situations in front of your workforce as a live story, in their own language, in a space they already stand in every day, whether that is an office atrium, the area near the shift change gate, or the canteen during a lunch break.
NukkadNatak.com designs and performs POSH awareness street plays for corporate offices, manufacturing plants, public sector organisations, hospitals, educational institutions, NGOs and CSR programmes across India. We are a street theatre and awareness campaign team. What we bring is the ability to turn your organisation's POSH message into a performance that a mixed audience of managers, engineers, machine operators, housekeeping staff and contract workers will actually stop and watch.
It is worth being clear about where this activity sits. The POSH Act, 2013 places several duties on employers, including organising workshops and awareness programmes at regular intervals to sensitise employees to the provisions of the Act, along with orientation for Internal Committee members. A nukkad natak is an awareness and sensitisation activity that supports this effort. It is not a substitute for your POSH policy, your Internal Committee, IC capacity building, formal training delivered by a POSH trainer or legal advisor, or legal advice on any specific matter. Whether a particular activity satisfies a specific statutory requirement is a decision for your compliance team or legal advisor to make. In practice, most of our clients schedule the performance alongside their formal session rather than instead of it, using the street play to open the room and the trainer to close it.
Every script is built to your brief. A typical performance works through what workplace sexual harassment actually looks like in everyday situations rather than extreme ones, including persistent unwanted attention, comments framed as jokes, unnecessary physical contact, messages after work hours and inappropriate content shared in work groups. It covers workplace boundaries and why intent does not decide the matter, why hierarchy changes what a junior colleague feels able to refuse, and that the idea of workplace extends beyond the desk to site visits, employer-arranged transport, offsites and work travel. It covers speaking up and reporting, awareness that an Internal Committee exists and how to reach it, bystander behaviour, gender sensitivity and respectful everyday conduct. We present your actual reporting route exactly as you give it to us, and detailed IC procedure and inquiry training is left to your POSH trainer.
Scenarios are drawn from realistic workplace patterns, never from your organisation's actual complaint records. We do not ask for case details and we do not want them. Nothing in a performance should let an audience identify a real person or a real complaint. Humour in the script sits with the confusion, the excuses and the bystanders, never with the person being harassed. There is no graphic staging, nothing that would distress someone in the audience who has lived through something similar, and no framing that puts one gender on trial. A performance that makes half the room feel accused loses that room and undoes the work.
We handle the campaign end to end: briefing, scenario design, script writing, your review and factual alignment, casting, rehearsal, travel, props, sound and on-ground performance. Performances are available in Hindi, English and bilingual as standard, and in regional languages including Marathi, Gujarati, Punjabi, Bengali, Tamil, Telugu, Kannada, Malayalam, Odia and Assamese, subject to artist availability for your dates and location. Formats range from a short fifteen to twenty minute floor version for shift change and canteen slots, to a standard twenty five to thirty five minute performance, to an extended version of forty to fifty minutes that includes a participatory segment and a closing handover to your HR or Internal Committee representative. Ten to fourteen days from brief to performance is comfortable for a single location, and multi-plant or multi-city campaigns are planned over a longer window.
If you are putting together this year's POSH awareness plan, share your city or plant location, approximate audience size, shifts to be covered, preferred languages and your date window, and we will come back with a suggested format, a scenario outline and a quote, usually within 24 hours.
The strongest argument for a street play is coverage. A four hundred person manufacturing unit rarely has four hundred people who can be pulled into a training room for an hour. Operators, loaders, canteen staff, security personnel, housekeeping and contract labour are usually the hardest group to reach and, in many workplaces, the group where boundary confusion causes the most trouble. Street theatre does not depend on literacy, English fluency, a company laptop or an email ID, so a performance at the gate, in the shed or in the canteen reaches the people that classroom sessions and e-learning modules consistently miss.
That coverage also works at scale. For a twelve hundred employee plant running three shifts, a single day plan might involve one performance near the shift change gate at 7:45 am for the night and general shift, a second in the office atrium at 11:30 am for staff and managers, a third in the canteen at 1:30 pm for the second shift and contract staff, and a fourth at the assembly area in the late afternoon. Four performances, one team, one day, and the message reaches nearly everyone on the payroll including the people who never receive a training invite.
Live performance also removes the hesitation that surrounds this subject. In a lecture format, asking a question is a public risk, so most people stay quiet. In a street play the confused character asks it for them. When a character on stage says the thing that several people in the audience privately believe, and the story then shows what follows from it, the correction happens without anybody being singled out.
Situations teach better than definitions. A legal description of unwelcome conduct is accurate and easy to nod along to without absorbing. A scene where a supervisor keeps commenting on a colleague's appearance in front of the team, and the team laughs, and one person does not, teaches the same boundary in a form people recognise from their own floor. That is also why bystander behaviour works so well in this medium. Most workplace culture is decided by the colleagues who laugh along, change the subject or check in afterwards, and a street play shows that dynamic in a way a slide cannot.
Recall is the other advantage. Live performance carries emotion, humour and surprise, so weeks later employees still remember a character and a line. That memory is the hook that brings the policy and the Internal Committee back to mind at the moment it actually matters, which is usually months after the annual session is over.
There is a signalling value too. When leadership stands in the same audience as the shop floor and watches the same performance, the message that the organisation is not treating this as a formality gets delivered without a single slide. The closing handover, where your HR or IC representative states the reporting route in their own words to a crowd that is already engaged, is the single highest value ninety seconds of the whole activity, and we recommend building it into every performance.
Finally, a word on what to expect. Awareness is genuinely hard to measure, and anyone promising a behaviour change percentage is selling something. What you can realistically look at is attendance achieved per slot against your actual headcount including contract staff, whether questions were asked at the end and what kind, a short pulse survey a week later checking whether employees can name where to report, and whether Internal Committee visibility improved. We will help you plan that capture. We will not hand you invented impact statistics.
We follow a proven and creative process to deliver effective brand promotion street plays.
We start with your workforce profile, languages spoken, shifts, locations, what your formal POSH training already covers and where you feel the message is not landing.
Our team builds realistic workplace situations suited to your audience, using general workplace patterns and never your organisation's actual complaint records.
We write the script in the language of your floor and share it with your HR, POSH or compliance team so the reporting route and IC references are exactly right.
Artists are selected for language fluency and the ability to hold a live crowd, rehearsed for noisy environments, and briefed to redirect legal questions to your IC or trainer.
Partner with NukkadNatak.com — India’s professional street play group with 15+ years experience. Trusted by IndianOil, TATA Motors & Indian Railways.
A POSH Awareness Nukkad Natak is an interactive street play designed to educate employees about the Prevention of Sexual Harassment (POSH) Act, workplace ethics, respectful behavior and reporting mechanisms through engaging live performances.
Corporate offices, government organizations, PSUs, educational institutions, factories, hospitals, NGOs and CSR initiatives can organize POSH awareness street plays for employees, staff and stakeholders.
No. It is an awareness and sensitisation activity that supports your POSH communication. It does not replace your POSH policy, Internal Committee, IC orientation or formal training by a POSH trainer or legal advisor. Whether any activity meets a specific statutory requirement is a decision for your compliance team or legal advisor. Most clients run the street play alongside their formal session, not instead of it.
Fifteen to twenty minutes for a short shift-change or canteen version, twenty five to thirty five minutes for a standard performance, and forty to fifty minutes when a participatory segment and a closing handover to your HR or IC representative are included.
Yes. Scenarios, language, workforce profile, reporting route and tone are all built to your brief, and the script is shared with your team for review before rehearsal. We use realistic workplace situations and never real complaint details from your organisation.
Street plays combine storytelling, live interaction and relatable workplace situations, making POSH awareness sessions more engaging, memorable and effective than conventional presentations or lectures.
Yes, and this is one of the strongest uses of the format. Street theatre does not depend on literacy, English fluency or laptop access, so it reaches operators, housekeeping, canteen, security and contract workforce who usually miss classroom or e-learning sessions. Performances can be scheduled at shift change, in the canteen or at assembly points.
It depends on space and sound rather than a fixed cap. An open assembly area with amplification can hold several hundred people. For very large workforces we recommend multiple performances across the day rather than one large gathering, so every audience stays close enough to see and hear.